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Sepultura has reached the end of the road and has chosen to depart via a conscious and planned death. The band will mark 40 years together and say goodbye at the same time with a farewell tour spanning the globe, including a run of Australian shows this March.

After four decades, 14 gold records, journeys through 80 countries and countless cultural exchanges, Sepultura stands as one of the most influential metal bands of their generation. Across 15 studio albums, they have sold more than 20million records worldwide, earning gold and platinum status in Australia and beyond. Their landmark record Roots has surpassed 150 million Spotify streams.

As this chapter unfolds, Sepultura reflects on this milestone with gratitude. Throughout their career, they created acclaimed records, forged enduring friendships, experienced artistic growth, met their heroes and helped place Brazilian metal firmly on the world map. With that legacy secured, the band steps away with a sense of purpose fulfilled.

“We’ve always had the best fans in the world, who supported us with praise and criticism, who were demanding and intelligent, who grew together with the band and have always been loyal,” the band says. “Without you, none of this would have been possible. This album and this tour are for you. Dear SepulNation, we love you and always will.”

This tour is the final opportunity to witness Sepultura live in Australia.

Superheaven will bring their post-hardcore grit, full-bodied and fuzzed-out distortion and hazy alternative melodies to Australia this April/May. With special guests, Angel Du$t, the tour pairs two of the most potent forces in the grunge revival and melodic hardcore together for one seismic tour.

Delivering fuzzed-out sonics, cathartic hooks and unyielding momentum that bridges ’90s alt-rock grit with the current wave of punk re-innovation, Superheaven are pure, raw emotion and driven energy. Formed from the ashes of Daylight in 2014, Superheaven have carved out a sound of post-hardcore heft and hazy melodies. Their 2015 breakthrough Ours Is Chrome earned a spot on Brooklyn Vegan’s “50 Best Punk & Emo Albums: 2015-2019,” while tracks like “Poor Aileen” landed them spots on festivals from Outbreak to Sick New World.

The bands streaming numbers are insane with “Youngest Daughter” well over the 200 million mark and their entire catalogue nudging half a billion!

Angel Du$t, have evolved from hardcore roots via frontman Justice Tripp’s time in Trapped Under Ice into a genre-bending monster. Blending d-beat fury with pop hooks on records like A.D., Pretty Buff, and the highly acclaimed, Brand New Soul. A linchpin for the new generation, their eclectic spirit echoes the likes of Bad Brains while keeping things firmly fresh and updated. Blazing a trail for the next wave of aggressive artists to branch out into unabashedly melodic territory.

Together, both acts will give fans an evening of intensity like they rarely experience, trading the weight of isolation anthems for the joy of collective release.

These shows will be Superheaven’s first Australian dates in over a decade after recently returning from an extended hiatus and this tour marks a rare collision for two bands at the peak of their powers, redefining what a modern rock bill can feel like.

An artist who has always been closely guarded, Aries’ latest release GLASS JAW is his most personal work to date. Aries has always moved on the margins and lived as an outsider. After earning notoriety in the creatively fertile YouTube boom, deconstructing the music of Drake and Lil Uzi Vert with near-surgical understanding of production, Aries had been nurturing a vision as an artist in his own right which led him to belong to a musical movement which completely redefined alternative music through online community.

The tension between confidence and fragility defines the central thesis of GLASS JAW. Sonically, the album sees Aries take bolder swings away from the trap rhythms that once defined him without compromising on his knack for anthemic choruses. His fluency in experimental hip-hop has never been stronger – and he turns it all on a dime with his honeyed, unmistakable voice which rides the knife edge between pop and something altogether darker.

A genre-defying, high-octane live act blending Indian classical, folk and hard rock with breathtaking musicianship and soaring vocals. With over 1000 concerts worldwide across the USA, Europe, Africa, the Middle East, Australia and Asia, this powerhouse collective has become one of the most electrifying live bands to emerge from India in the last decade.

Their line-up features vocalists and instrumentalists from across the subcontinent, channelling diverse musical traditions into a single cinematic wall of sound. The performance shifts seamlessly from delicate ragas and Hindustani vocal passages into heavy guitar-driven climaxes, lush strings, thunderous percussion and festival-scale energy.

International festival favourites, they’ve appeared at Milwaukee Summerfest, NH7 Weekender, Independence Rock, Mojo Rising, YouTube FanFest, Dubai Expo 2020 and more, building a fiercely loyal global fanbase.

A rare chance to witness India’s most explosive fusion act in a stunning live setting – immersive, emotional and unforgettable.

Born Stella Chronopoulou, Σtella is an Athens-raised pop artist whose sleek, melodic songwriting has made her one of modern Greece’s most notable musical exports. She grew up just above the city in a quiet, rural suburb—an easy going backdrop that subtly colours her warm, unhurried aesthetic—before settling near downtown Athens.
Following her Sub Pop debut Up and Away (2022), she surged past three million monthly Spotify listeners, underscoring her international reach. Adagio (out April 4, 2025) is Σtella’s fifth album and a warm, 27-minute meditation on love, rest, and time—sleek pop wrapped in nylon-string guitars and featherlight percussion.

Its spark came during an 11-hour ferry ride to Anafi in 2019, when she sketched the first ideas that would later become “Omorfo Mou,” marking her first time singing in Greek alongside a tender cover of Litsa Sakellariou’s 1969 classic “Ta Vimata.” Written over five years with international collaborators—including !!!’s Rafael Cohen and
songwriter Gabriel Stebbing—Adagio was produced by Σtella and mixed by Edmund Irwin-Singer. Highlights span the title track’s love letter to slowness, the breezy “Baby Brazil,” the sweeping “80 Days,” the instrumental “Corfu,” and the sashaying “Can I Say.